R is transfered onto the leatherhard clay tile in usual manner. Sgrafitto is generally a technique of scraping back into clay covered with slip, as seen with 'J' . I'm challenging logic with this one, letting go of rules and exploring, which some potters may ask "why?" I guess at this stage of the alphabet it's all about experiementing and I say why not! So instead of applying the slip I've just scraped into the clay body direct then brushed the red slip inside the R imprint and painted the border.
S - Imprint - with organic matterA bit of fun, not sure what the end result will look like, fortunately I can rescue this if need be after the bisque firing. S transfered with a light pencil imprint as a guide, then wax emulsion applied to outline the letter and the border to act as a resist from the pressed in organic matter and to create a negative space with the letter, hopefully! In theory > the organic matter is pressed imprinting the clay and will burn away in the firing resulting inverted spots and the letter S will be revealed by the smooth surface.
Below is a close up for a clearer view - Quinoa grain is used and burnished in with my Tigers Eye polished stone for securing and reassuring a definite imprint.
2 comments:
can't wait to see your letters finished, they look so perfect.
I love the quinoa Kim - how cool if it does as you hope and burns off leaving little dots! Its great to see you experimenting and exploring - this little challenge gives permission to doesn't it?
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